Ausstattung Ausstattung , Thermometer am Deckel Asche-Auffangbehälter, Art Rollen , Leichtlaufrollen, Grillroste Breite Grillfläche unten , 50 cm, Tiefe Grillfläche unten , 50 cm, Maße & Gewicht Arbeitshöhe , 80 cm, Durchmesser , 50 cm, Farbe & Material Farbe , schwarz silberfarben, Material Gehäuse , Aluminium, Material Grillhaube , Stahl porzellanemailliert, Wissenswertes Aufbauhinweise , einfache Selbstmontage mit Aufbauanleitung,
As the Belly Rolls: Denise Cavaliere
The Grammy¨ award-winning composer Quincy Jones utilized his multi-faceted musical talent in composing Belly Roll, and he and Sammy Nestico collaborated on the arrangement. A medium shuffle blues with a captivating groove with solo space for tenor, trumpet, alto, and guitar. Check out the slippery, sliding unison saxes stating the melody and the shout chorus that truly roars. For the experienced jazz ensemble, this is the best of the best!
(Rhythm Bomb) ´Ruby Red Lips´ hätte Elvis aufnehmen können - schöne Uptempo Nummer - und absolut authentisch instrumentiert! ´Belly Button Baby´ klingt wie ein late 1950s Rocker! Tolle Scheibe! Zuschlagen!
1960´s R&B harp rocker and balsting sax. Nice crossover tune!
(2011/Fantastic Voyage) 30 tracks Country music icon, businessman, theme-park owner and fast-food chain founder, Conway Twitty, also happened to be a rock & roll singer. For some reason, this latter talent has tended to lag behind in the man´s career overviews, which is nothing short of a travesty. Good that Conway´s country sides from the late sixties onwards are, they don´t have the testosterone and the kinetic energy of his MGM recordings from the late fifties. During this shoulder-shakin´ stage of his career, the man had fire in his belly, ambition in his eyes, and hope in his heart. He could roar like the lion on the MGM crest head, and he couldn´t get enough of the rock & roll stuff that drove his desires. What follows is the cream of Conway Twitty´s Metro Goldwyn crop, all of which was captured on tape at the Owen Bradley studio in Nashville twenty-eight month period beginning in May 1958. 01. Tell Me One More Time (Conway Twitty, Jack Nance) Warner Chappell Music Ltd. MGM K12918 (August 1960) Conway was one busy guy right from the outset. As a case in point, ´Tell Me One More Time´ had to be recorded in between trips to Hollywood. Following a crash course in a New York drama school, the rookie rock & roller was cast in Platinum High School followed by the analogous College Confidential. However, his role as a would-be matinee idol was short-lived and he concentrated instead on developing his career as an album and singles artist. `Tell Me´, with its 2/4 time signature, featured the twin lead guitars of Hank Garland and Al Bruno. 02. Hallelujah, I Love Her So (Ray Charles) Carlin Music Corp. MGM 5E3744, MGM X 1640 (March 1959) It didn´t take long before the rock & roll fraternity began investigating the works of Ray Charles. Elvis Presley was quick off the mark with his version of Got a Woman´ and the Everly Brothers gave a new lease of life to `Leave My Woman Alone´. Conway was clearly at home with `Hallelujah, I Love Her So´, and his arrangement threw the spotlight on two key members of the Jordanaires. Gordon Stoker enforced each hook line with a florid ´Halleluh!´, and bass singer Ray Walker intro-ed the outro with an impassioned `Man, I gotta hear that again. 03. I Vibrate (From My Head to My Feet) ´I Vibrate´ ranks as one of the toughest rockers Conway cut during his MGM tenure. The song unashamedly took license from ´Great Balls of Fire´ which happened to be top of the charts when Conway and Jack Nance proffered their pens. Cut at Conway´s first session for the label, the track featured the unmistakable sound of Joe E Lewis´s Gretsch Duo Jet. Joe was a seasoned road player (he´d previously worked with Sonny Burgess) and, as can be heard here, he employed a thrashing rhythm style built around a 9th bar-chord. 04. You Win Again Wishing (UK) Ltd. MGM SE3786, MGMX 1679 (September 1959) If Conway owned a copy of Jerry Lee´s ´GBOF´, then it´s fair to say he was inspired to cut `You Win Again´ - the song that dwelt on the flipside of the record. He did though raise the key, and he allotted no less than sixteen measures for a double-length solo from Al Bruno. One of eight siblings, this pint-sized fret-boarder hailed from Ontario, Canada, where he was born Albert V. Bruneau. His arrival in the Twitty band was marked by his boss purchasing a pair of matching Gibson ES-335´s. In due course Al went on to work with Buck Owens, Duane Eddy, T. G. Sheppard and, most recently, Dale Watson. 05. Hey Little Lucy! (Don´tcha Put No Lipstick On) Chappell Music Ltd. MGM K12785 (April 1959) Jim Vienneau, the A&R head at MGM´s pop and country department, was often spoiled for choice when it came to scoping out material for the Twitty sessions. Conway happened to be an extremely inventive composer, particularly in the songs he crafted with his drummer Jack Nance. But after ´It´s Only Make Believe´ topped the charts, producer Vienneau found himself inundated with demos arriving on a daily basis from the publishing houses of New York. The delightful ´Hey Little Lucy!´ was dispatched from Aaron Schroeder with a lyric by Sharon Silbert, a writer who´d recently scored with `Schoolboy Crush´. 06. Easy To Fall In Love (Conway Twitty, Jack Nance) Warner Chappell Music Ltd. MGM SE3818 (February 1960) To his eternal credit, Conway Twitty was the recognized inventor of the ´beat ballad´. With a solid backbeat and a growled vocal to convey the message, the format stood apart from the heart-on-sleeve ballads that so often sank in a sea of
Middle East Instrumentals And Vocals (13 tracks / 51:25) Belly dancing is an ancient art. When danced to the rhythms of Middle Eastern music, it is a whole series of sensuous undulating move-ments that are very graceful, supple and fluid. The isolated body movements will take inches off your waist, abdomen, hips and thighs. It will tone up flabby and sagging muscles. It is an excellent form of exercising that will also help you to relax phys-ically and mentally from the tensions of everyday living. Begin by keeping in mind that your body must be completely relaxed at all times. Keep your back straight unless otherwise stated. The basic foot movements are danced in even rhythm, 4/4 time, with three steps to a measure pausing on the fourth beat as you bring your foot forward to begin all over again. You may begin on either foot, keeping each step fully in contact with the ground. The hands are rotated in a complete circle to the exact timing of the music. Bend them at the wrists slightly, flexing your fingers, similar to that of a Spanish dancer. (See Photo #1). The arms are bent at the elbows at all times. They are moved in all directions; both up over your head; down by your sides; one up over your head and one down in front of your navel; and out to your sides. The arm ripple is done by bringing your arms out to the side in a horizontal position. Raise one arm up bringing the other arm down at the same time in a rippling manner, to the rhythm of the music. If you push your shoulder forward slightly during this movement, you will get a beaut-iful effect similar to the movement of a snake. (See Photo # Belly Roll — Position your body by bringing your pelvis forward with your abdominal muscles pushed out. Bend back slightly at the waist in a cantilever fashion. (See Photo #3). Gradually start pulling your abdominal muscles in as you push your pelvis down, bending at the knees (the small of your back near your waist should be straight in this second position).(See Photo #4). Rock your pelvis backward relaxing your abdominal mus-cles as you bend slightly forward at the waist. (See Photo #5). Repeat these three basic belly roll move-ments continuously, rocking forward and back-ward until it resembles a waving motion. A com-plete belly roll movement is done to the count of four beats. All hip movements should be done in a can-tilever position in which the hips are brought for-ward as you bend back slightly from the waist up. This is very important. It will help you to move easier as well as give a beautiful effect. (See Photo #6). Horizontal Hip Movements—Sway your hips from side to side in a horizontal figure eight by first pushing up on the ball of your right foot, then sway to the left and vice versa. Repeat about three or four times to the rhythm of the music. Hip Shaking — Bend your right knee, keeping your left knee straight and vice versa. Start off slowly, gradually increasing your movements into a shimmy-shake. This can be done in a stationary position as well as in a fast walking movement. Lateral Neck Movements—To move your head from side to side, keep your head and body completely straight and move only your neck muscles, first to the right and then to the left. (See Photo #7). Once you have mastered this movement, you can easily rotate your head on its axis. Shoulder Shaking — Keep your body straight, re-laxing your shoulders completely. Bring your right shoulder forward and the left shoulder back at the same time in one movement. Move them con-tinuously in a graceful quivering manner to the rhythm of the music. Back Bend — A back bend should be included with any floor work that you should do. Do this gradually to prevent straining yourself. It is a beautiful movement and is an excellent exercise for strengthening your spine and firming your ab-dominal muscles and waistline. (See Photo #8). Finger Cymbals (Zils) — The finger cymbals are the most difficult to master. Although they are played to the beat of the music, they are not played to the same timing of the hands and feet. They are a very important and necessary part of the dance. Place one cymbal on your thumb and one on the second finger of each hand. (See Photo # I). Hit them strongly together and release them quickly to get a ringing sound. You may also get a clapping sound, which is equally as effective, by placing your first three fingers over each cymbal. Hit them together on your right hand and then on your left hand, repeating continuously to
Get rid of that annoying belly today!Ask yourself a few important questions: Are you concerned about the extra weight you are carrying around your belly? Do you want to drop those pounds and still enjoy a tasty meal?Of course, you do!By listening to your personal copy of Lose Your Belly Diet, you will be sure to have a healthy breakfast, lunch, or dinner meal fit to please even the choosiest of diners.You have to find and maintain a balance that works for you. What it comes down to, when you consider the bottom line - calories do count. Managing your weight is a balance of the number of calories you consume versus the amount that your body can effectively use up.A calorie is a unit of energy which is delivered by food, no matter what the source. Whether you are consuming proteins, sugars, fats, or carbs - everything has a calorie count that needs to be considered.To remain in balance, you must count the calories from your foods and balance it with your daily exercise and activity.This book will provide you with a ton of recipes to choose from to get rid of that annoying belly today! Some of the tasty recipes that you will be making: Watermelon ParadiseHealthy Brownie MuffinsHoney Mint Fruit SaladApples and Cream Cheese Roll UpsAnd much, much more 1. Language: English. Narrator: Jonathan Archer. Audio sample: http://samples.audible.de/bk/acx0/100128/bk_acx0_100128_sample.mp3. Digital audiobook in aax.
If you are sick and tired of that roll of fat hanging over your jeans, then you need to listen to this....It isn’t fair! Hormonal changes, pregnancies, breastfeeding, children...and all we have to show for it is a muffin top! If you’re like us, you’re tired of trying on clothes from last year and discovering you can’t zip your pants.We were always a little ´´chunky” when we were young. After two kids and work, we were both struggling with this roll of fat hanging over our jeans. Then we discovered intermittent fasting.Fasting isn’t as bad as it sounds! It’s easy for a busy schedule, and best of all, it’s free!Don’t you wish you could eat your favorite foods and still lose weight? Do you want to lose weight without having to exercise or go to the gym? Aren’t you sick of counting calories?We have found a solution that will work for you, even if other diets haven’t worked for you in the past.In this audiobook, Intermittent Fasting for Women: Busy Mother’s Guide to Trim Belly Fat, you will discover:The secret to losing weight without counting caloriesHow women lose weight vs. how men lose weight - it’s not what you thinkTips and tricks that will help make this method work for youSimple eating schedules that will increase your metabolismHow to lose those last ´´pesky” 10 poundsHow to fast and not feel hungryHow to lose weight and not have to work outHow to lose weight and still eat your favorite foodsAnd much, much moreSo if you’re tired of counting calories, eating bland ´´diet” food, and going to the gym, then click ´´Buy Now´´. 1. Language: English. Narrator: Sangita Chauhan. Audio sample: http://samples.audible.de/bk/acx0/120744/bk_acx0_120744_sample.mp3. Digital audiobook in aax.
It´s the age-old 30-something´s dilemma: If you did ecstasy in the ´90s, does it mean you´ve done Molly? Dragging her raver ass out of retirement to revisit her teenaged party days, Mary H. K. Choi throws herself into the belly of the EDM beast to see if there´s anything to this Molly business. And to find out if doing recreational drugs as a bored adult is the key to staying young or if this is the worst, most embarrassing and irresponsible idea ever. Mary H. K. Choi has written for GQ, The New York Times, New York, Wired, and Glamour. She is the former editor of MTV Style and executive producer of the documentary House of Style: Music, Models and MTV. She has also written comic books for Marvel and Vertigo and hosts a podcast on jobs called Hey, Cool Job. It´s available on iTunes. 1. Language: English. Narrator: Mary H. K. Choi. Audio sample: http://samples.audible.de/bk/adbl/023470/bk_adbl_023470_sample.mp3. Digital audiobook in aax.